By Richard Boyle
"Why, you ask, has no one heard of our nation's greatest cricketer? Here,
in no particular order. Wrong place, wrong time, money and laziness.
Politics, racism, power cuts and plain bad luck. If you are unwilling to follow
me on the next God-knows-how many pages, re-read the last two
sentences. They are as good a summary as I can give from this side of the
bottle." – Shehan Karunatilaka, Chinaman: The Legend of Pradeep Mathew
Since the New Year, the judging of the entries and organisation of the
shortlist and award events has coincided with the publication on the
Subcontinent, and the preparations for further international publication
in the UK and US, of a novel that won the Gratiaen Prize 2008, Shehan
Karunatilaka's cricket saga, Chinaman: The Legend of Pradeep Mathew.
It was hailed by the judges as "one of the most imaginative works of
contemporary Sri Lankan fiction". Michael Ondaatje, who prefers to remain
as invisible as possible with regards the Trust and rarely comments on the
novels that win the prize he founded, was moved to describe Chinaman
as "a crazy ambidextrous delight".
This is the first time in the history of the Gratiaen Prize that such
international publication of a winning entry has occurred, although Carl
Muller's The Jam Fruit Tree (co-winner 1993) was published by Penguin
in India. The publishing history of Chinaman is complex considering its
comparative youth. The entry was submitted in manuscript form to the
Gratiaen Trust, and after winning the prize Shehan spent time in honing the
text.
The process took far longer than expected. "I was due to appear at the
Galle Literary Festival in January 2010 and had nothing on the shelves," he
told me. So "the best alternative", he believed, to rushing out an incomplete
book, "was to publish a 30-page teaser booklet leading up to publication. It
generated a bit of buzz and anticipation for the finished product."
After a fruitless search to find a sympathetic agent or publisher, Shehan
used the Gratiaen Prize money to self-publish the first edition in March
2010, and then left Sri Lanka to work in Singapore.
Since its initial appearance in Sri Lanka, Chinaman has garnered some
positive reviews, one of the most perceptive, I believe, being Richard
Simon's "Liar's Cricket" (The Sunday Times, July 11, 2010). I wish to
present some comments regarding the book rather than get bogged down
in the plot, but Simon provides a necessary introduction:
"Its plot concerns the efforts of one WG Karunasena, an alcoholic ex-
sports journalist, to research and write the biography of Pradeep Mathew,
a Tamil spin-bowling genius who played for Sri Lanka in numerous test
and one-day international matches as well as for Thurstan College, Royal
College and Bloomfield CC. Mathew, we are told, delivered spectacular
performances in obscure games and more than once saved the day for
his team and his country, but since the Nineties he has been somehow
forgotten, lost to history. Even the few people who still remember him –
old coaches, former teammates who never made the record-books, family
members and an ex-girlfriend – don't want to talk.
"Shehan Karunatilaka's novel Chinaman subsists – make that thrives –
upon the wreckage produced by the collision of truth and fiction. It features
among its characters a famous English cricketer-turned-commentator
named Tony Botham and a Sri Lankan sports minister called Tyronne
Cooray who had a stadium in Moratuwa named after him.
"It is not perfect by any means, but it is by far the best novel ever written
by a Sri Lankan who actually resides in his home country instead of merely
visiting to attend literary festivals.
"Until Chinaman, I had yet to read a Sri Lankan English novel that stayed
good, or even palatable, to the last drop," Simon declares. "Some had
arguable literary merits – a charming sense of time or place, real action and
suspense, the odd felicitous turn of phrase or telling auctorial insight – but
none of them were worth a damn as a story, one that kept you interested, that had a plot which stayed the course and characters anyone but the
author could possibly care about. Not one of them, frankly, ever had a
proper ending. Chinaman has that, and pretty much everything else it
takes, too. The first genuine contender for the title of Great Sri Lankan
Novel has entered the lists."
Simon points out that Chinaman is much more than about cricket, that
it is embedded in the realities of this island's life: "Sri Lankan it is with
a vengeance. Its blend of fact and fiction closely resembles the made-
up 'history' Sri Lankan children are taught in school. Its subject, cricket, is,
of course, our national obsession, but in the background, Karunatilaka also
touches, without ever making it look like a stretch, upon all the crucial Sri
Lankan realities: racism, all-pervasive yet blandly denied; class snobbery;
endemic corruption, moral failure and cultural decline; suicide-bombings,
alcoholism, paedophile sex tourism; the shadow of the colonial past and
the failures of the first post-Independence generation. It's a depressing
list, but in spite of it, as we all know, Sri Lanka is a far from depressing
country."
Inevitably, the book drew attention on the cricket fanatics' website,
CRICINFO. The review "Where in the world is Pradeep Mathew?" by Sidin
Vadukut of October 16, 2010, informed online readers of its handsome
stroke-play, although it included "a few hoicks over slip": "The mysteries
of Pradeep Mathew, combined with the brutal dissection of cricket and
the delicious morsels of cricketing trivia come together to form one of the
strongest, most immersive plots in a sports novel, or indeed any novel, I
have read in a long time.
"The book is not without its gimmicks. There are a few towards the end
that are particularly laboured. And there are a few occasions where the
dialogues seem too smart by half. But all good innings have room for a few
hoicks over slip. And Chinaman is a Test match-winning innings-at-the-
death watch-over-and-over-on-YouTube kind of a book.
sent the novel to the Publishing Director of Jonathan Cape in UK, Dan
Franklin, described as "the colossus behind Britain's superstar authors".
Franklin compares Chinaman to Midnight's Children, arguing that it does
for Sri Lanka what Rushdie's novel did for India: "This makes it sound
serious, but it's nothing of the sort. It's anarchic, verbally playful, incredibly
funny, and most glorious of all, it's entirely one hundred percent about
cricket and it doesn't matter one jot if you've never seen an over bowled."
"The book comes out on April 28th in the UK and across other cricketing
countries towards mid-year," Shehan enthuses. "And we've just sold the
US rights."
The novel has also been selected for Waterstone's 11 "Our pick of the
best first novels of 2011" – among them Sarah Winman's When God was
a Rabbit, Sam Leith's The Coincidence Engine, Sophie Hardach's The
Registrar's Manual for Detecting Forced Marriages, Stephen Kelman's
Pigeon English, Kevin Barry's City of Bohane, Amanda Hodgkinson's
22 Britannia Road, and Mirza Waheed's The Collaborator, the only
other South Asian novel to make this list. Incidentally, the first chapter of
Chinaman is available for download on Waterstone's website.
The division between fact and fiction is deliberately blurred in Chinaman.
Shehan has enhanced this aspect by creating a website "Pradeep
Mathew's Amazing Deliveries" – 14 in all - with accompanying articles and
diagrams, and the copyright in WG Karunasena's name!
As we head towards another Gratiaen Prize, let's hope that this year other
major literary talent will be revealed.
(This article originally appeared in The Sunday Times, March 27, 2011)
sundaytimes.lk/110327/Plus/plus_18.html